*AI Summary*
To review a topic focused on high-efficiency, cost-effective professional imaging through generative technology, the ideal group would be *Digital Personal Branding Consultants and Career Strategy Experts.* This group specializes in maximizing a professional's "algorithmic visibility" and visual authority while optimizing the return on investment (ROI) for career-related assets.
### *Abstract*
This presentation evaluates the utility and performance of *Aragon AI,* a generative artificial intelligence platform designed to replace traditional professional photography with AI-synthesized headshots. The analysis contrasts the high overhead of professional photo shoots—estimated at $1,000+ when accounting for photographers and wardrobe—against the sub-$100 price point of AI solutions.
The workflow involves a "train-and-generate" model where users provide 6–10 reference images to create a custom latent representation of their likeness. The engine then applies various professional attires and backgrounds based on user-selected parameters including ethnicity, age, and body type. Functional testing demonstrates a 1-hour turnaround time with a high usability rate (approximately 83% in this case study). While minor artifacts in aspect ratio scaling and "uncanny valley" effects persist in post-generation background editing, the platform is positioned as a high-fidelity solution for LinkedIn profiles, resumes, and digital marketing collateral.
---
### *Digital Branding Analysis: Aragon AI Technical Teardown*
* *0:01 The Value Proposition:* Traditional professional branding photography requires significant capital ($1,000+) and logistical effort. AI headshot generators provide a 10x improvement in professional presence at a fraction of the cost (<$100).
* *1:02 Platform Introduction (Aragon AI):* The tool is specifically designed for professionals and teams to create consistent, high-quality business imagery without a physical studio.
* *1:41 The 4-Step Generative Pipeline:* The process consists of uploading selfies, selecting desired backgrounds/attires, allowing the AI to train a custom model, and finally reviewing/editing the generated outputs.
* *2:25 Beyond Headshots:* The platform includes a suite of post-processing tools, including "Magic Res" (upscaling), unblurring, color correction, and background removal/replacement.
* *3:24 Strategic Configuration:* Users input specific demographic and aesthetic data (age, hair color, ethnicity, body type) and choose from multiple professional attires to ensure the output aligns with their industry standards.
* *3:57 Training Data Specifications:* To ensure algorithmic fidelity, users must upload a minimum of six (and up to 10) high-quality images. The system rejects "noisy" data, such as blurred photos, revealing clothing, or unnatural angles, to maintain output quality.
* *6:30 Qualitative Output Review:* Post-generation results show high fidelity in complex textures, such as hair follicles and facial geometry. While some "misses" occur (images looking like a "twin" rather than the subject), the majority of the 100-image batch is professional-grade.
* *9:04 Integrated Background Editor:* The "Pro" version allows for custom background uploads (e.g., specific landmarks or campuses). Current limitations include minor scaling issues where the subject's size may not perfectly match the background's perspective.
* *11:34 Final ROI Assessment:* For a $75 investment, the user generated over 80 professional assets, with approximately 50 being immediately usable for LinkedIn, CVs, and YouTube collateral. This represents a significant disruption to the traditional photography market.
* *13:00 Scalability for Professionals:* The tool is highly recommended for job seekers and entrepreneurs needing rapid, high-volume professional imagery for various digital touchpoints.
AI-generated summary created with gemini-3-flash-preview for free via RocketRecap-dot-com. (Input: 15,999 tokens, Output: 802 tokens, Est. cost: $0.0104).
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Fluidigm Polaris Part 2- illuminator and camera
mikeselectricstuff
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Fluidigm Polaris part 1 : • Fluidigm Polaris (Part 1) - Biotech g...
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Merch https://mikeselectricstuff.creator-sp...
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mikeselectricstuff
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40 Comments
@robertwatsonbath
6 hours ago
Thanks Mike. Ooof! - with the level of bodgery going on around 15:48 I think shame would have made me do a board re spin, out of my own pocket if I had to.
1
Reply
@Muonium1
9 hours ago
The green LED looks different from the others and uses phosphor conversion because of the "green gap" problem where green InGaN emitters suffer efficiency droop at high currents. Phosphide based emitters don't start becoming efficient until around 600nm so also can't be used for high power green emitters. See the paper and plot by Matthias Auf der Maur in his 2015 paper on alloy fluctuations in InGaN as the cause of reduced external quantum efficiency at longer (green) wavelengths.
4
Reply
1 reply
@tafsirnahian669
10 hours ago (edited)
Can this be used as an astrophotography camera?
Reply
mikeselectricstuff
·
1 reply
@mikeselectricstuff
6 hours ago
Yes, but may need a shutter to avoid light during readout
Reply
@2010craggy
11 hours ago
Narrowband filters we use in Astronomy (Astrophotography) are sided- they work best passing light in one direction so I guess the arrows on the filter frames indicate which way round to install them in the filter wheel.
1
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@vitukz
12 hours ago
A mate with Channel @extractions&ire could use it
2
Reply
@RobertGallop
19 hours ago
That LED module says it can go up to 28 amps!!! 21 amps for 100%. You should see what it does at 20 amps!
Reply
@Prophes0r
19 hours ago
I had an "Oh SHIT!" moment when I realized that the weird trapezoidal shape of that light guide was for keystone correction of the light source.
Very clever.
6
Reply
@OneBiOzZ
20 hours ago
given the cost of the CCD you think they could have run another PCB for it
9
Reply
@tekvax01
21 hours ago
$20 thousand dollars per minute of run time!
1
Reply
@tekvax01
22 hours ago
"We spared no expense!" John Hammond Jurassic Park.
*(that's why this thing costs the same as a 50-seat Greyhound Bus coach!)
Reply
@florianf4257
22 hours ago
The smearing on the image could be due to the fact that you don't use a shutter, so you see brighter stripes under bright areas of the image as you still iluminate these pixels while the sensor data ist shifted out towards the top. I experienced this effect back at university with a LN-Cooled CCD for Spectroscopy. The stripes disapeared as soon as you used the shutter instead of disabling it in the open position (but fokussing at 100ms integration time and continuous readout with a focal plane shutter isn't much fun).
12
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mikeselectricstuff
·
1 reply
@mikeselectricstuff
12 hours ago
I didn't think of that, but makes sense
2
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@douro20
22 hours ago (edited)
The red LED reminds me of one from Roithner Lasertechnik. I have a Symbol 2D scanner which uses two very bright LEDs from that company, one red and one red-orange. The red-orange is behind a lens which focuses it into an extremely narrow beam.
1
Reply
@RicoElectrico
23 hours ago
PFG is Pulse Flush Gate according to the datasheet.
Reply
@dcallan812
23 hours ago
Very interesting. 2x
Reply
@littleboot_
1 day ago
Cool interesting device
Reply
@dav1dbone
1 day ago
I've stripped large projectors, looks similar, wonder if some of those castings are a magnesium alloy?
Reply
@kevywevvy8833
1 day ago
ironic that some of those Phlatlight modules are used in some of the cheapest disco lights.
1
Reply
1 reply
@bill6255
1 day ago
Great vid - gets right into subject in title, its packed with information, wraps up quickly. Should get a YT award! imho
3
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@JAKOB1977
1 day ago (edited)
The whole sensor module incl. a 5 grand 50mpix sensor for 49 £.. highest bid atm
Though also a limited CCD sensor, but for the right buyer its a steal at these relative low sums.
Architecture Full Frame CCD (Square Pixels)
Total Number of Pixels 8304 (H) × 6220 (V) = 51.6 Mp
Number of Effective Pixels 8208 (H) × 6164 (V) = 50.5 Mp
Number of Active Pixels 8176 (H) × 6132 (V) = 50.1 Mp
Pixel Size 6.0 m (H) × 6.0 m (V)
Active Image Size 49.1 mm (H) × 36.8 mm (V)
61.3 mm (Diagonal),
645 1.1x Optical Format
Aspect Ratio 4:3
Horizontal Outputs 4
Saturation Signal 40.3 ke−
Output Sensitivity 31 V/e−
Quantum Efficiency
KAF−50100−CAA
KAF−50100−AAA
KAF−50100−ABA (with Lens)
22%, 22%, 16% (Peak R, G, B)
25%
62%
Read Noise (f = 18 MHz) 12.5 e−
Dark Signal (T = 60°C) 42 pA/cm2
Dark Current Doubling Temperature 5.7°C
Dynamic Range (f = 18 MHz) 70.2 dB
Estimated Linear Dynamic Range
(f = 18 MHz)
69.3 dB
Charge Transfer Efficiency
Horizontal
Vertical
0.999995
0.999999
Blooming Protection
(4 ms Exposure Time)
800X Saturation Exposure
Maximum Date Rate 18 MHz
Package Ceramic PGA
Cover Glass MAR Coated, 2 Sides or
Clear Glass
Features
• TRUESENSE Transparent Gate Electrode
for High Sensitivity
• Ultra-High Resolution
• Board Dynamic Range
• Low Noise Architecture
• Large Active Imaging Area
Applications
• Digitization
• Mapping/Aerial
• Photography
• Scientific
Thx for the tear down Mike, always a joy
Reply
@martinalooksatthings
1 day ago
15:49 that is some great bodging on of caps, they really didn't want to respin that PCB huh
8
Reply
@RhythmGamer
1 day ago
Was depressed today and then a new mike video dropped and now I’m genuinely happy to get my tear down fix
1
Reply
@dine9093
1 day ago (edited)
Did you transfrom into Mr Blobby for a moment there?
2
Reply
@NickNorton
1 day ago
Thanks Mike. Your videos are always interesting.
5
Reply
@KeritechElectronics
1 day ago
Heavy optics indeed... Spare no expense, cost no object. Splendid build quality. The CCD is a thing of beauty!
1
Reply
@YSoreil
1 day ago
The pricing on that sensor is about right, I looked in to these many years ago when they were still in production since it's the only large sensor you could actually buy. Really cool to see one in the wild.
2
Reply
@snik2pl
1 day ago
That leds look like from led projector
Reply
@vincei4252
1 day ago
TDI = Time Domain Integration ?
1
Reply
@wolpumba4099
1 day ago (edited)
Maybe the camera should not be illuminated during readout.
From the datasheet of the sensor (Onsemi): saturation 40300 electrons, read noise 12.5 electrons per pixel @ 18MHz (quite bad). quantum efficiency 62% (if it has micro lenses), frame rate 1 Hz. lateral overflow drain to prevent blooming protects against 800x (factor increases linearly with exposure time) saturation exposure (32e6 electrons per pixel at 4ms exposure time), microlens has +/- 20 degree acceptance angle
i guess it would be good for astrophotography
4
Reply
@txm100
1 day ago (edited)
Babe wake up a new mikeselectricstuff has dropped!
9
Reply
@vincei4252
1 day ago
That looks like a finger-lakes filter wheel, however, for astronomy they'd never use such a large stepper.
1
Reply
@MRooodddvvv
1 day ago
yaaaaay ! more overcomplicated optical stuff !
4
Reply
1 reply
@NoPegs
1 day ago
He lives!
11
Reply
1 reply
Transcript
0:00
so I've stripped all the bits of the
0:01
optical system so basically we've got
0:03
the uh the camera
0:05
itself which is mounted on this uh very
0:09
complex
0:10
adjustment thing which obviously to set
0:13
you the various tilt and uh alignment
0:15
stuff then there's two of these massive
0:18
lenses I've taken one of these apart I
0:20
think there's something like about eight
0:22
or nine Optical elements in here these
0:25
don't seem to do a great deal in terms
0:26
of electr magnification they're obiously
0:28
just about getting the image to where it
0:29
uh where it needs to be just so that
0:33
goes like that then this Optical block I
0:36
originally thought this was made of some
0:37
s crazy heavy material but it's just
0:39
really the sum of all these Optical bits
0:41
are just ridiculously heavy those lenses
0:43
are about 4 kilos each and then there's
0:45
this very heavy very solid um piece that
0:47
goes in the middle and this is so this
0:49
is the filter wheel assembly with a
0:51
hilariously oversized steper
0:53
motor driving this wheel with these very
0:57
large narrow band filters so we've got
1:00
various different shades of uh
1:03
filters there five Al together that
1:06
one's actually just showing up a silver
1:07
that's actually a a red but fairly low
1:10
transmission orangey red blue green
1:15
there's an excess cover on this side so
1:16
the filters can be accessed and changed
1:19
without taking anything else apart even
1:21
this is like ridiculous it's like solid
1:23
aluminium this is just basically a cover
1:25
the actual wavelengths of these are um
1:27
488 525 570 630 and 700 NM not sure what
1:32
the suffix on that perhaps that's the uh
1:34
the width of the spectral line say these
1:37
are very narrow band filters most of
1:39
them are you very little light through
1:41
so it's still very tight narrow band to
1:43
match the um fluoresence of the dies
1:45
they're using in the biochemical process
1:48
and obviously to reject the light that's
1:49
being fired at it from that Illuminator
1:51
box and then there's a there's a second
1:53
one of these lenses then the actual sort
1:55
of samples below that so uh very serious
1:58
amount of very uh chunky heavy Optics
2:01
okay let's take a look at this light
2:02
source made by company Lumen Dynamics
2:04
who are now part of
2:06
excelitas self-contained unit power
2:08
connector USB and this which one of the
2:11
Cable Bundle said was a TTL interface
2:14
USB wasn't used in uh the fluid
2:17
application output here and I think this
2:19
is an input for um light feedback I
2:21
don't if it's regulated or just a measur
2:23
measurement facility and the uh fiber
2:27
assembly
2:29
Square Inlet there and then there's two
2:32
outputs which have uh lens assemblies
2:35
and this small one which goes back into
2:37
that small Port just Loops out of here
2:40
straight back in So on this side we've
2:42
got the electronics which look pretty
2:44
straightforward we've got a bit of power
2:45
supply stuff over here and we've got
2:48
separate drivers for each wavelength now
2:50
interesting this is clearly been very
2:52
specifically made for this application
2:54
you I was half expecting like say some
2:56
generic drivers that could be used for a
2:58
number of different things but actually
3:00
literally specified the exact wavelength
3:02
on the PCB there is provision here for
3:04
385 NM which isn't populated but this is
3:07
clearly been designed very specifically
3:09
so these four drivers look the same but
3:10
then there's two higher power ones for
3:12
575 and
3:14
520 a slightly bigger heat sink on this
3:16
575 section there a p 24 which is
3:20
providing USB interface USB isolator the
3:23
USB interface just presents as a comport
3:26
I did have a quick look but I didn't
3:27
actually get anything sensible um I did
3:29
dump the Pi code out and there's a few
3:31
you a few sort of commands that you
3:32
could see in text but I didn't actually
3:34
manage to get it working properly I
3:36
found some software for related version
3:38
but it didn't seem to want to talk to it
3:39
but um I say that wasn't used for the
3:41
original application it might be quite
3:42
interesting to get try and get the Run
3:44
hours count out of it and the TTL
3:46
interface looks fairly straightforward
3:48
we've got positions for six opto
3:50
isolators but only five five are
3:52
installed so that corresponds with the
3:54
unused thing so I think this hopefully
3:56
should be as simple as just providing a
3:57
ttrl signal for each color to uh enable
4:00
it a big heat sink here which is there I
4:03
think there's like a big S of metal
4:04
plate through the middle of this that
4:05
all the leads are mounted on the other
4:07
side so this is heat sinking it with a
4:09
air flow from a uh just a fan in here
4:13
obviously don't have the air flow
4:14
anywhere near the Optics so conduction
4:17
cool through to this plate that's then
4:18
uh air cooled got some pots which are
4:21
presumably power
4:22
adjustments okay let's take a look at
4:24
the other side which is uh much more
4:27
interesting see we've got some uh very
4:31
uh neatly Twisted cable assemblies there
4:35
a bunch of leads so we've got one here
4:37
475 up here 430 NM 630 575 and 520
4:44
filters and dcro mirrors a quick way to
4:48
see what's white is if we just shine
4:49
some white light through
4:51
here not sure how it is is to see on the
4:54
camera but shining white light we do
4:55
actually get a bit of red a bit of blue
4:57
some yellow here so the obstacle path
5:00
575 it goes sort of here bounces off
5:03
this mirror and goes out the 520 goes
5:07
sort of down here across here and up
5:09
there 630 goes basically straight
5:13
through
5:15
430 goes across there down there along
5:17
there and the 475 goes down here and
5:20
left this is the light sensing thing
5:22
think here there's just a um I think
5:24
there a photo diode or other sensor
5:26
haven't actually taken that off and
5:28
everything's fixed down to this chunk of
5:31
aluminium which acts as the heat
5:32
spreader that then conducts the heat to
5:33
the back side for the heat
5:35
sink and the actual lead packages all
5:38
look fairly similar except for this one
5:41
on the 575 which looks quite a bit more
5:44
substantial big spay
5:46
Terminals and the interface for this
5:48
turned out to be extremely simple it's
5:50
literally a 5V TTL level to enable each
5:54
color doesn't seem to be any tensity
5:56
control but there are some additional
5:58
pins on that connector that weren't used
5:59
in the through time thing so maybe
6:01
there's some extra lines that control
6:02
that I couldn't find any data on this uh
6:05
unit and the um their current product
6:07
range is quite significantly different
6:09
so we've got the uh blue these
6:13
might may well be saturating the camera
6:16
so they might look a bit weird so that's
6:17
the 430
6:18
blue the 575
6:24
yellow uh
6:26
475 light blue
6:29
the uh 520
6:31
green and the uh 630 red now one
6:36
interesting thing I noticed for the
6:39
575 it's actually it's actually using a
6:42
white lead and then filtering it rather
6:44
than using all the other ones are using
6:46
leads which are the fundamental colors
6:47
but uh this is actually doing white and
6:50
it's a combination of this filter and
6:52
the dichroic mirrors that are turning to
6:55
Yellow if we take the filter out and a
6:57
lot of the a lot of the um blue content
7:00
is going this way the red is going
7:02
straight through these two mirrors so
7:05
this is clearly not reflecting much of
7:08
that so we end up with the yellow coming
7:10
out of uh out of there which is a fairly
7:14
light yellow color which you don't
7:16
really see from high intensity leads so
7:19
that's clearly why they've used the
7:20
white to uh do this power consumption of
7:23
the white is pretty high so going up to
7:25
about 2 and 1 half amps on that color
7:27
whereas most of the other colors are
7:28
only drawing half an amp or so at 24
7:30
volts the uh the green is up to about
7:32
1.2 but say this thing is uh much
7:35
brighter and if you actually run all the
7:38
colors at the same time you get a fairly
7:41
reasonable um looking white coming out
7:43
of it and one thing you might just be
7:45
out to notice is there is some sort
7:46
color banding around here that's not
7:49
getting uh everything s completely
7:51
concentric and I think that's where this
7:53
fiber optic thing comes
7:58
in I'll
8:00
get a couple of Fairly accurately shaped
8:04
very sort of uniform color and looking
8:06
at What's um inside here we've basically
8:09
just got this Square Rod so this is
8:12
clearly yeah the lights just bouncing
8:13
off all the all the various sides to um
8:16
get a nice uniform illumination uh this
8:19
back bit looks like it's all potted so
8:21
nothing I really do to get in there I
8:24
think this is fiber so I have come
8:26
across um cables like this which are
8:27
liquid fill but just looking through the
8:30
end of this it's probably a bit hard to
8:31
see it does look like there fiber ends
8:34
going going on there and so there's this
8:36
feedback thing which is just obviously
8:39
compensating for the any light losses
8:41
through here to get an accurate
8:43
representation of uh the light that's
8:45
been launched out of these two
8:47
fibers and you see uh
8:49
these have got this sort of trapezium
8:54
shape light guides again it's like a
8:56
sort of acrylic or glass light guide
9:00
guess projected just to make the right
9:03
rectangular
9:04
shape and look at this Center assembly
9:07
um the light output doesn't uh change
9:10
whether you feed this in or not so it's
9:11
clear not doing any internal Clos Loop
9:14
control obviously there may well be some
9:16
facility for it to do that but it's not
9:17
being used in this
9:19
application and so this output just
9:21
produces a voltage on the uh outle
9:24
connector proportional to the amount of
9:26
light that's present so there's a little
9:28
diffuser in the back there
9:30
and then there's just some kind of uh
9:33
Optical sensor looks like a
9:35
chip looking at the lead it's a very
9:37
small package on the PCB with this lens
9:40
assembly over the top and these look
9:43
like they're actually on a copper
9:44
Metalized PCB for maximum thermal
9:47
performance and yeah it's a very small
9:49
package looks like it's a ceramic
9:51
package and there's a thermister there
9:53
for temperature monitoring this is the
9:56
475 blue one this is the 520 need to
9:59
Green which is uh rather different OB
10:02
it's a much bigger D with lots of bond
10:04
wise but also this looks like it's using
10:05
a phosphor if I shine a blue light at it
10:08
lights up green so this is actually a
10:10
phosphor conversion green lead which
10:12
I've I've come across before they want
10:15
that specific wavelength so they may be
10:17
easier to tune a phosphor than tune the
10:20
um semiconductor material to get the uh
10:23
right right wavelength from the lead
10:24
directly uh red 630 similar size to the
10:28
blue one or does seem to have a uh a
10:31
lens on top of it there is a sort of red
10:33
coloring to
10:35
the die but that doesn't appear to be
10:38
fluorescent as far as I can
10:39
tell and the white one again a little
10:41
bit different sort of much higher
10:43
current
10:46
connectors a makeer name on that
10:48
connector flot light not sure if that's
10:52
the connector or the lead
10:54
itself and obviously with the phosphor
10:56
and I'd imagine that phosphor may well
10:58
be tuned to get the maximum to the uh 5
11:01
cenm and actually this white one looks
11:04
like a St fairly standard product I just
11:06
found it in Mouse made by luminous
11:09
devices in fact actually I think all
11:11
these are based on various luminous
11:13
devices modules and they're you take
11:17
looks like they taking the nearest
11:18
wavelength and then just using these
11:19
filters to clean it up to get a precise
11:22
uh spectral line out of it so quite a
11:25
nice neat and um extreme
11:30
bright light source uh sure I've got any
11:33
particular use for it so I think this
11:35
might end up on
11:36
eBay but uh very pretty to look out and
11:40
without the uh risk of burning your eyes
11:43
out like you do with lasers so I thought
11:45
it would be interesting to try and
11:46
figure out the runtime of this things
11:48
like this we usually keep some sort
11:49
record of runtime cuz leads degrade over
11:51
time I couldn't get any software to work
11:52
through the USB face but then had a
11:54
thought probably going to be writing the
11:55
runtime periodically to the e s prom so
11:58
I just just scope up that and noticed it
12:00
was doing right every 5 minutes so I
12:02
just ran it for a while periodically
12:04
reading the E squ I just held the pick
12:05
in in reset and um put clip over to read
12:07
the square prom and found it was writing
12:10
one location per color every 5 minutes
12:12
so if one color was on it would write
12:14
that location every 5 minutes and just
12:16
increment it by one so after doing a few
12:18
tests with different colors of different
12:19
time periods it looked extremely
12:21
straightforward it's like a four bite
12:22
count for each color looking at the
12:24
original data that was in it all the
12:26
colors apart from Green were reading
12:28
zero and the green was reading four
12:30
indicating a total 20 minutes run time
12:32
ever if it was turned on run for a short
12:34
time then turned off that might not have
12:36
been counted but even so indicates this
12:37
thing wasn't used a great deal the whole
12:40
s process of doing a run can be several
12:42
hours but it'll only be doing probably
12:43
the Imaging at the end of that so you
12:46
wouldn't expect to be running for a long
12:47
time but say a single color for 20
12:50
minutes over its whole lifetime does
12:52
seem a little bit on the low side okay
12:55
let's look at the camera un fortunately
12:57
I managed to not record any sound when I
12:58
did this it's also a couple of months
13:00
ago so there's going to be a few details
13:02
that I've forgotten so I'm just going to
13:04
dub this over the original footage so um
13:07
take the lid off see this massive great
13:10
heat sink so this is a pel cool camera
13:12
we've got this blower fan producing a
13:14
fair amount of air flow through
13:16
it the connector here there's the ccds
13:19
mounted on the board on the
13:24
right this unplugs so we've got a bit of
13:27
power supply stuff on here
13:29
USB interface I think that's the Cyprus
13:32
microcontroller High speeded USB
13:34
interface there's a zyink spon fpga some
13:40
RAM and there's a couple of ATD
13:42
converters can't quite read what those
13:45
those are but anal
13:47
devices um little bit of bodgery around
13:51
here extra decoupling obviously they
13:53
have having some noise issues this is
13:55
around the ram chip quite a lot of extra
13:57
capacitors been added there
13:59
uh there's a couple of amplifiers prior
14:01
to the HD converter buffers or Andor
14:05
amplifiers taking the CCD
14:08
signal um bit more power spy stuff here
14:11
this is probably all to do with
14:12
generating the various CCD bias voltages
14:14
they uh need quite a lot of exotic
14:18
voltages next board down is just a
14:20
shield and an interconnect
14:24
boardly shielding the power supply stuff
14:26
from some the more sensitive an log
14:28
stuff
14:31
and this is the bottom board which is
14:32
just all power supply
14:34
stuff as you can see tons of capacitors
14:37
or Transformer in
14:42
there and this is the CCD which is a uh
14:47
very impressive thing this is a kf50 100
14:50
originally by true sense then codec
14:53
there ON
14:54
Semiconductor it's 50 megapixels uh the
14:58
only price I could find was this one
15:00
5,000 bucks and the architecture you can
15:03
see there actually two separate halves
15:04
which explains the Dual AZ converters
15:06
and two amplifiers it's literally split
15:08
down the middle and duplicated so it's
15:10
outputting two streams in parallel just
15:13
to keep the bandwidth sensible and it's
15:15
got this amazing um diffraction effects
15:18
it's got micro lenses over the pixel so
15:20
there's there's a bit more Optics going
15:22
on than on a normal
15:25
sensor few more bodges on the CCD board
15:28
including this wire which isn't really
15:29
tacked down very well which is a bit uh
15:32
bit of a mess quite a few bits around
15:34
this board where they've uh tacked
15:36
various bits on which is not super
15:38
impressive looks like CCD drivers on the
15:40
left with those 3 ohm um damping
15:43
resistors on the
15:47
output get a few more little bodges
15:50
around here some of
15:52
the and there's this separator the
15:54
silica gel to keep the moisture down but
15:56
there's this separator that actually
15:58
appears to be cut from piece of
15:59
antistatic
16:04
bag and this sort of thermal block on
16:06
top of this stack of three pel Cola
16:12
modules so as with any Stacks they get
16:16
um larger as they go back towards the
16:18
heat sink because each P's got to not
16:20
only take the heat from the previous but
16:21
also the waste heat which is quite
16:27
significant you see a little temperature
16:29
sensor here that copper block which
16:32
makes contact with the back of the
16:37
CCD and this's the back of the
16:40
pelas this then contacts the heat sink
16:44
on the uh rear there a few thermal pads
16:46
as well for some of the other power
16:47
components on this
16:51
PCB okay I've connected this uh camera
16:54
up I found some drivers on the disc that
16:56
seem to work under Windows 7 couldn't
16:58
get to install under Windows 11 though
17:01
um in the absence of any sort of lens or
17:03
being bothered to the proper amount I've
17:04
just put some f over it and put a little
17:06
pin in there to make a pinhole lens and
17:08
software gives a few options I'm not
17:11
entirely sure what all these are there's
17:12
obviously a clock frequency 22 MHz low
17:15
gain and with PFG no idea what that is
17:19
something something game programmable
17:20
Something game perhaps ver exposure
17:23
types I think focus is just like a
17:25
continuous grab until you tell it to
17:27
stop not entirely sure all these options
17:30
are obviously exposure time uh triggers
17:33
there ex external hardware trigger inut
17:35
you just trigger using a um thing on
17:37
screen so the resolution is 8176 by
17:40
6132 and you can actually bin those
17:42
where you combine multiple pixels to get
17:46
increased gain at the expense of lower
17:48
resolution down this is a 10sec exposure
17:51
obviously of the pin hole it's very uh
17:53
intensitive so we just stand still now
17:56
downloading it there's the uh exposure
17:59
so when it's
18:01
um there's a little status thing down
18:03
here so that tells you the um exposure
18:07
[Applause]
18:09
time it's this is just it
18:15
downloading um it is quite I'm seeing
18:18
quite a lot like smearing I think that I
18:20
don't know whether that's just due to
18:21
pixels overloading or something else I
18:24
mean yeah it's not it's not um out of
18:26
the question that there's something not
18:27
totally right about this camera
18:28
certainly was bodge wise on there um I
18:31
don't I'd imagine a camera like this
18:32
it's got a fairly narrow range of
18:34
intensities that it's happy with I'm not
18:36
going to spend a great deal of time on
18:38
this if you're interested in this camera
18:40
maybe for astronomy or something and
18:42
happy to sort of take the risk of it may
18:44
not be uh perfect I'll um I think I'll
18:47
stick this on eBay along with the
18:48
Illuminator I'll put a link down in the
18:50
description to the listing take your
18:52
chances to grab a bargain so for example
18:54
here we see this vertical streaking so
18:56
I'm not sure how normal that is this is
18:58
on fairly bright scene looking out the
19:02
window if I cut the exposure time down
19:04
on that it's now 1 second
19:07
exposure again most of the image
19:09
disappears again this is looks like it's
19:11
possibly over still overloading here go
19:14
that go down to say say quarter a
19:16
second so again I think there might be
19:19
some Auto gain control going on here um
19:21
this is with the PFG option let's try
19:23
turning that off and see what
19:25
happens so I'm not sure this is actually
19:27
more streaking or which just it's
19:29
cranked up the gain all the dis display
19:31
gray scale to show what um you know the
19:33
range of things that it's captured
19:36
there's one of one of 12 things in the
19:38
software there's um you can see of you
19:40
can't seem to read out the temperature
19:42
of the pelta cooler but you can set the
19:44
temperature and if you said it's a
19:46
different temperature you see the power
19:48
consumption jump up running the cooler
19:50
to get the temperature you requested but
19:52
I can't see anything anywhere that tells
19:54
you whether the cool is at the at the
19:56
temperature other than the power
19:57
consumption going down and there's no
19:59
temperature read out
20:03
here and just some yeah this is just
20:05
sort of very basic software I'm sure
20:07
there's like an API for more
20:09
sophisticated
20:10
applications but so if you know anything
20:12
more about these cameras please um stick
20:14
in the
20:15
comments um incidentally when I was
20:18
editing I didn't notice there was a bent
20:19
pin on the um CCD but I did fix that
20:22
before doing these tests and also
20:24
reactivated the um silica gel desicant
20:26
cuz I noticed it was uh I was getting
20:28
bit of condensation on the window but um
20:31
yeah so a couple of uh interesting but
20:34
maybe not particularly uh useful pieces
20:37
of Kit except for someone that's got a
20:38
very specific use so um I'll stick a
20:42
I'll stick these on eBay put a link in
20:44
the description and say hopefully
20:45
someone could actually make some uh good
20:47
use of these things
Example Output:
**Abstract:**
This video presents Part 2 of a teardown focusing on the optical components of a Fluidigm Polaris biotechnology instrument, specifically the multi-wavelength illuminator and the high-resolution CCD camera.
The Lumen Dynamics illuminator unit is examined in detail, revealing its construction using multiple high-power LEDs (430nm, 475nm, 520nm, 575nm, 630nm) combined via dichroic mirrors and filters. A square fiber optic rod is used to homogenize the light. A notable finding is the use of a phosphor-converted white LED filtered to achieve the 575nm output. The unit features simple TTL activation for each color, conduction cooling, and internal homogenization optics. Analysis of its EEPROM suggests extremely low operational runtime.
The camera module teardown showcases a 50 Megapixel ON Semiconductor KAF-50100 CCD sensor with micro-lenses, cooled by a multi-stage Peltier stack. The control electronics include an FPGA and a USB interface. Significant post-manufacturing modifications ("bodges") are observed on the camera's circuit boards. Basic functional testing using vendor software and a pinhole lens confirms image capture but reveals prominent vertical streaking artifacts, the cause of which remains uncertain (potential overload, readout artifact, or fault).
**Exploring the Fluidigm Polaris: A Detailed Look at its High-End Optics and Camera System**
* **0:00 High-End Optics:** The system utilizes heavy, high-quality lenses and mirrors for precise imaging, weighing around 4 kilos each.
* **0:49 Narrow Band Filters:** A filter wheel with five narrow band filters (488, 525, 570, 630, and 700 nm) ensures accurate fluorescence detection and rejection of excitation light.
* **2:01 Customizable Illumination:** The Lumen Dynamics light source offers five individually controllable LED wavelengths (430, 475, 520, 575, 630 nm) with varying power outputs. The 575nm yellow LED is uniquely achieved using a white LED with filtering.
* **3:45 TTL Control:** The light source is controlled via a simple TTL interface, enabling easy on/off switching for each LED color.
* **12:55 Sophisticated Camera:** The system includes a 50-megapixel Kodak KAI-50100 CCD camera with a Peltier cooling system for reduced noise.
* **14:54 High-Speed Data Transfer:** The camera features dual analog-to-digital converters to manage the high data throughput of the 50-megapixel sensor, which is effectively two 25-megapixel sensors operating in parallel.
* **18:11 Possible Issues:** The video creator noted some potential issues with the camera, including image smearing.
* **18:11 Limited Dynamic Range:** The camera's sensor has a limited dynamic range, making it potentially challenging to capture scenes with a wide range of brightness levels.
* **11:45 Low Runtime:** Internal data suggests the system has seen minimal usage, with only 20 minutes of recorded runtime for the green LED.
* **20:38 Availability on eBay:** Both the illuminator and camera are expected to be listed for sale on eBay.
Here is the real transcript. What would be a good group of people to review this topic? Please summarize provide a summary like they would:
00:00:01 if you've been following my LinkedIn for
00:00:02 a while I have been experimenting a lot
00:00:05 with AI headshot generators and I think
00:00:08 that is one technology that can
00:00:11 literally make your online game 10x
00:00:13 better more professional and easier on
00:00:16 the pocket wondering how let's do a
00:00:18 little bit of maths if you had to hire a
00:00:21 photographer wear like 10 different
00:00:23 outfits and get a photo shoot done you
00:00:25 would not only have to spend at least
00:00:28 $1,000 you would also have to have a
00:00:30 collection of amazing outfits that look
00:00:32 super professional and businesslike but
00:00:35 what if an AI tool could do that for you
00:00:38 in less than
00:00:39 $100 I am not kidding my dear friends
00:00:42 because I have recently tried a super
00:00:45 cool amazing AI headshot generator and
00:00:48 I'm so excited today to share with you
00:00:50 the results a detailed tutorial of how
00:00:53 you can get your head shots done and
00:00:56 everything else that you might need to
00:00:58 know before starting your journey with a
00:01:00 AI headshot generator so the tool that
00:01:02 I'm talking about today is called Aragon
00:01:04 AI you can find the link in the
00:01:07 description of this video just click on
00:01:09 it and follow along for a detailed
00:01:11 tutorial let me show you how to generate
00:01:13 business head shots for your LinkedIn
00:01:15 profile using Aragon AI uh the first
00:01:18 step is to go to the Aragon AI homepage
00:01:20 that you can do by clicking the link in
00:01:22 the description of this video and once
00:01:24 you reach there you will see this is a
00:01:26 cool homepage that they have they've
00:01:28 already generated millions of head shots
00:01:30 for hundreds of thousands of
00:01:33 professionals and uh you can see some
00:01:35 examples of some cool head shots uh and
00:01:38 you can see the process uh the four step
00:01:41 process that it takes for you to
00:01:43 generate your own head shot which is
00:01:46 just upload a few selfies of yourself
00:01:48 select backgrounds and attires then the
00:01:51 AI tool will create a model for you and
00:01:54 then you can view edit and download your
00:01:56 favorites and these are some head shots
00:01:59 that they have already generated this is
00:02:01 uh for individuals and sometimes you
00:02:03 also want head shots for your entire
00:02:05 team like you want everyone in the team
00:02:07 to say look like this in their picture
00:02:10 so there's examples of teams as well so
00:02:13 you know somebody from the same team if
00:02:15 they have similar backgrounds similar
00:02:18 lighting it looks good on the website or
00:02:20 on some brusher of the company
00:02:23 right just stop at being a head shot
00:02:25 generator but they have some other Cool
00:02:28 Tools as well like a magic res
00:02:30 you can change backgrounds you can
00:02:32 unblur an image you can enhance a photo
00:02:35 you can upscale an image color
00:02:37 correction so many cool features uh so
00:02:40 let's click on create your head shots
00:02:42 now and let me uh select professional
00:02:44 head shots and because that's what I
00:02:47 want I want a picture for my LinkedIn
00:02:48 profile uh we are going to select our
00:02:51 gender the next step is to select your
00:02:54 age then you have to select your hair
00:02:56 color your hair length
00:02:59 [Music]
00:03:01 what's your
00:03:05 ethnicity and then you can select your
00:03:05 body type and then you have to select
00:03:07 what kind of attire you want so I'm
00:03:10 selecting all of these because I want to
00:03:13 try they look pretty cool uh the
00:03:15 examples so I'm going to select all of
00:03:19 them and then backgrounds which is also
00:03:22 what I'm going to select all likeing the
00:03:24 pricing of Aragon AI if you buy the
00:03:26 starter pack you only get one attire and
00:03:28 one background choice
00:03:30 I have selected the premium version
00:03:33 where I get all attires and all
00:03:35 backgrounds and enhanced image
00:03:37 resolution also I get 100 head shots
00:03:39 which is pretty cool so I'm going to
00:03:42 select all of these uh backgrounds and I
00:03:45 have already selected all these attires
00:03:47 so let's continue and let's see yeah I
00:03:50 want glasses in all head shot because I
00:03:52 always wear glasses you can decide uh
00:03:55 how you look in real life and then
00:03:57 compare so now you have to upload images
00:04:00 you can upload six images uh that's the
00:04:03 minimum but you can upload up to 10
00:04:05 images because that would train the AI
00:04:07 better on how your face looks like so I
00:04:10 am going to upload uh 10 images and
00:04:13 these are in the format uh jpg PNG heic
00:04:16 it's a great help because sometimes um
00:04:19 my phone by default if I click live
00:04:21 pictures it's always an hiic format and
00:04:24 uh in other uh tools or in other
00:04:28 websites when I have to upload images I
00:04:30 always have to go and change uh from
00:04:33 hgic to jpg but it's a great help that
00:04:37 here we can directly upload hiic images
00:04:39 as well so going to click on it so we
00:04:43 going to select 10 of these you can see
00:04:46 there are some restrictions on the image
00:04:48 like it can't be blurred or too cropped
00:04:52 uh don't wear revealing clothes don't
00:04:53 wear accessories because then the AI
00:04:55 can't see your uh face clearly and no un
00:04:59 natural angles so you have to upload
00:05:02 some really nice images and once your
00:05:05 images are uploaded uh the the tool
00:05:08 automatically checks your images for
00:05:10 Quality so all these images I uploaded
00:05:12 have been accepted but these have been
00:05:14 rejected because this is too similar to
00:05:16 another upload okay so I already
00:05:18 uploaded a similar picture so this is
00:05:20 not there's no point uploading this but
00:05:23 anyway we have got already 13 out of 10
00:05:25 images so it's done let's see okay I
00:05:28 have to delete the EXT uploads let
00:05:32 me then we press
00:05:36 continue uh yes I'm happy with my
00:05:39 uploads so again we have to confirm all
00:05:42 the details if everything is up to our
00:05:46 expectations you get the option to
00:05:48 change it once again before pressing
00:05:51 submit
00:05:53 and and once you do that you have to
00:05:56 click on submit let's see what happens
00:06:00 confirm and submit yeah you can select
00:06:02 what style you want once again before
00:06:04 submitting has received my data it's
00:06:06 working on creating professional head
00:06:08 shots for me and in 1 hour I should get
00:06:11 the results let's wait I'm really
00:06:13 excited it's been a few hours now and I
00:06:16 have got this message that my head shots
00:06:20 are ready from Aragon Ai and I'm just
00:06:22 going to click on view head shots really
00:06:25 excited to see how they turn out to be
00:06:27 this so yep these are are my uh new
00:06:31 brand new head shot that have been
00:06:34 edited by Aragon Ai and let's take a
00:06:38 look
00:06:39 H they look pretty good pretty
00:06:43 interesting Zoom it a bit it does look
00:06:47 like me the skin is a little airbrushed
00:06:50 but look at the hair texture like if you
00:06:53 can see I literally have like baby hairs
00:06:56 here and Aragon has managed to capture
00:07:00 that and you know like usually AI tools
00:07:02 they just make my hair like very blow
00:07:04 dried very perfect but I think this has
00:07:07 Aragon has managed to get the texture of
00:07:10 my hair correct and my smile correct um
00:07:16 these are pretty good actually this
00:07:17 photo also looks like me doesn't it I
00:07:20 mean this is how I look like so uh yeah
00:07:25 pretty interesting let's see um
00:07:30 I like the outfit choices as
00:07:33 well we'll give the feedback later let's
00:07:35 take a look of course not all of them
00:07:37 are good like uh this
00:07:41 one uh looks like my twin sister maybe
00:07:45 not me but actually I'm surprised by how
00:07:49 many of these images have managed to
00:07:51 capture my look this one has a
00:07:55 Bindy this is so funny I like it I mean
00:07:58 I'm not going to use this anywhere
00:08:00 because I don't really take a b wear a
00:08:02 Bindy but it's very
00:08:04 cute this is good this is like how I
00:08:07 would want my head shot to look like if
00:08:09 I ever go for a photo shoot um I can use
00:08:12 this on LinkedIn I can use it on my
00:08:13 YouTube thumbnails as well because it's
00:08:16 pretty good the image quality is
00:08:25 awesome wow like so many cool
00:08:25 images I can literally use like 10 15 of
00:08:30 them on my YouTube videos and if I make
00:08:33 any creatives for any advertisements uh
00:08:36 I'll just move this over here
00:08:39 yeah uh yes really interesting really
00:08:42 impressive like I didn't see any image
00:08:45 where I have like extra eyes or extra
00:08:47 ears or extra hands uh these are
00:08:51 actually pretty good let me pick my
00:08:54 favorite this one looks pretty nice I am
00:08:57 a big fan of outdoor photo shoots this
00:08:59 looks nice it looks like me I don't
00:09:01 really wear high neck but it's good
00:09:04 let's try to see what edit features
00:09:06 Aragon AI
00:09:08 has
00:09:09 so background
00:09:11 changer change the background of your
00:09:14 images to create the perfect backdrop oh
00:09:17 that's cool um okay let me look for an
00:09:20 image where I want the backdrop to look
00:09:22 exactly like that uh so I am a alumni of
00:09:26 I guati it's my ex it's my alma
00:09:29 so I am just trying to see if I can have
00:09:32 this image as if I'm standing in front
00:09:34 of I guti so I have chosen this option
00:09:37 change the background and have uploaded
00:09:39 a file so let's see how it manages to do
00:09:44 it okay so for that we need to have
00:09:49 a a Aragon Pro Aragon light for this
00:09:53 let's start 3day free trial for that
00:09:57 once we click on edit I really excited
00:10:00 to see the results so I think it might
00:10:02 take some time for this edited image to
00:10:06 be ready until then uh let's pick an
00:10:10 image for my next YouTube thumbnail H I
00:10:14 love this outfit by the way I think I
00:10:16 should actually buy something like this
00:10:19 also one interesting feature about AI
00:10:21 images is that you know I have like
00:10:24 broad shoulders so when the AI puts the
00:10:28 image on my body the shoulder and my
00:10:30 face ratio that that's something that's
00:10:33 a little difficult to get right but this
00:10:37 image sort of gets it right so it's like
00:10:39 a mix and match not every image would be
00:10:42 perfect but this is pretty good this is
00:10:44 like if I send it to anyone saying it's
00:10:47 a selfie I think anyone will believe it
00:10:50 it's that good I love
00:10:52 it oh so that the picture is
00:10:56 ready this is pretty interesting I
00:10:58 wonder if we can change the aspect ratio
00:11:01 so I am little smaller than my
00:11:10 background I don't I don't see a way to
00:11:10 do that but yeah pretty cool not bad for
00:11:15 uh an AI Editor to get an image like
00:11:19 this maybe if I had uploaded a picture
00:11:21 of the background where the objects in
00:11:24 the background are adjusts it according
00:11:26 to my position in this image maybe it
00:11:28 might have been a little better but
00:11:31 other than that like absolutely zero
00:11:34 complaints like look at the beautiful um
00:11:38 head shots that I managed to get by
00:11:41 spending
00:11:42 $75 if I had to actually hire a
00:11:44 photographer to get beautiful 80 head
00:11:47 shots like this in this many outfits I'm
00:11:50 sure I would have had to spend at least
00:11:52 like $1,000 $1,000 maybe even more than
00:11:55 that so I think uh and when it comes to
00:12:00 AI headshot generators Aragon AI has
00:12:03 given me amazing results and I would
00:12:06 100% recommend it to anyone who's trying
00:12:09 to get a better picture for their
00:12:11 LinkedIn profile or for their uh CV
00:12:14 resume online posting purposes I think
00:12:18 the results you get from Aragon AI are
00:12:20 amazing as you just saw out of the 60
00:12:23 images a lot I think more than 50 images
00:12:27 are usable not even Jing you can see the
00:12:30 quality for yourself right here if you
00:12:33 are still watching this thank you so
00:12:35 much for your time I hope you enjoyed my
00:12:38 detailed tutorial if you are excited to
00:12:40 try out Aragon AI for yourself click the
00:12:43 link in the description of this video
00:12:45 and you'll have your next AI photo shoot
00:12:47 in just 1 hour don't forget to share
00:12:49 this video with a friend who's
00:12:51 struggling to get business photos for
00:12:53 their LinkedIn profile or for their
00:12:55 resume if you have any questions any
00:12:57 doubts anything else you'd like me to
00:12:59 clarify please leave your thoughts in
00:13:01 the comments this was the first episode
00:13:04 of my brand new series AI with ananga
00:13:07 and I thank you so much for being with
00:13:09 me until the end I'll be back again soon
00:13:12 with another super cool episode until
00:13:14 then stay awesome and keep hustling